Hallucinations brings together three new, interrelated series by Lisa Iglesias that frame perception as layered, contingent, and in motion. Composed of acrylic paint on paper, translucent materials, and repeated relief prints of domestic objects, the works unfold through veils, screens, and patterned surfaces that shift as the viewer moves. In 100 cartas a la luna, multiple levels of paint are applied on both sides of each paper through staining, pouring, pooling, and relief printing, often in collaboration with Iglesias’s young children. Privacy screens, halftone fields, and layered applications of paint function as perceptual filters—at times obscuring, at others revealing images, gestures, and bodily impressions. Across the exhibition, weft and warp structures echo textiles, as household materials are translated into digital, cosmic, and architectural forms.