Community Calendar

The 4th Witch is a fantastic new tale, inspired by elements of Shakespeare’s Macbeth, in which a girl escapes war and seeks protection from three witches. They agree to take her on as an apprentice with only one condition: she must never use her powers for revenge. Consumed by grief and rage, the girl comes to realize that it was Macbeth who killed her parents. Now she must choose between reconciliation or vengeance.

Told through inventive practical effects executed in plain sight, the troupe brilliantly employs shadow puppetry, live music and actors in silhouette, to create an entire new world in The 4th Witch. Manual Cinema has built a devoted fanbase in Boston over the course of their thrilling past productions at ArtsEmerson including Ada/Ava and Frankenstein. Do not miss their triumphant return this fall!

Contact Ross Education now to get information on training programs in Medical Assistant, Medical Insurance Billing and more!

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

From Valley Community Development

Join us for an interactive workshop where we will cover the basics of operations and financial management for artists. We’ll break down common financial terms, walk through a practical budgeting and planning template, and explore how to track expenses, and plan for profitability.

We’ll follow the journeys of two featured artists to show how these tools come to life.

What you'll leave with:

• A fill-in-the-blank financial template made for artists
• Tools to better manage your creative operations
• Real-world examples for both service and product-based businesses
• Space to ask questions and connect with fellow creatives

This session is ideal for artists at any stage looking to bring clarity and confidence to the business side of their practice.

The 4th Witch is a fantastic new tale, inspired by elements of Shakespeare’s Macbeth, in which a girl escapes war and seeks protection from three witches. They agree to take her on as an apprentice with only one condition: she must never use her powers for revenge. Consumed by grief and rage, the girl comes to realize that it was Macbeth who killed her parents. Now she must choose between reconciliation or vengeance.

Told through inventive practical effects executed in plain sight, the troupe brilliantly employs shadow puppetry, live music and actors in silhouette, to create an entire new world in The 4th Witch. Manual Cinema has built a devoted fanbase in Boston over the course of their thrilling past productions at ArtsEmerson including Ada/Ava and Frankenstein. Do not miss their triumphant return this fall!

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

The 4th Witch is a fantastic new tale, inspired by elements of Shakespeare’s Macbeth, in which a girl escapes war and seeks protection from three witches. They agree to take her on as an apprentice with only one condition: she must never use her powers for revenge. Consumed by grief and rage, the girl comes to realize that it was Macbeth who killed her parents. Now she must choose between reconciliation or vengeance.

Told through inventive practical effects executed in plain sight, the troupe brilliantly employs shadow puppetry, live music and actors in silhouette, to create an entire new world in The 4th Witch. Manual Cinema has built a devoted fanbase in Boston over the course of their thrilling past productions at ArtsEmerson including Ada/Ava and Frankenstein. Do not miss their triumphant return this fall!

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

The 4th Witch is a fantastic new tale, inspired by elements of Shakespeare’s Macbeth, in which a girl escapes war and seeks protection from three witches. They agree to take her on as an apprentice with only one condition: she must never use her powers for revenge. Consumed by grief and rage, the girl comes to realize that it was Macbeth who killed her parents. Now she must choose between reconciliation or vengeance.

Told through inventive practical effects executed in plain sight, the troupe brilliantly employs shadow puppetry, live music and actors in silhouette, to create an entire new world in The 4th Witch. Manual Cinema has built a devoted fanbase in Boston over the course of their thrilling past productions at ArtsEmerson including Ada/Ava and Frankenstein. Do not miss their triumphant return this fall!

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.