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  • Singer Tierney Sutton burst onto the scene in 1999 with rave reviews for her first solo album, Introducing Tierney Sutton. Five albums later, critics and fans continue to marvel at her delicate, reflective vocal style. Hear an interview and performance on Piano Jazz.
  • When The Mars Volta purchased a ouija board in a Jerusalem curio shop and began to use it, the band had no idea how much it would affect its recording. Listening to The Bedlam in Goliath, the paranormal talk might not seem like such a publicity stunt.
  • Pakistan, celebrating its 60th anniversary this week, is a country of contradictions, two Pakistani-born novelists say. On the one hand, there are signs of optimism about the emergence of democracy. On the other, Pakistan is seen as the focus of the war on terrorism.
  • In the 1960s, Cathy Wilkerson was a member of the radical group Weatherman. She went underground for 10 years after an accidental explosion blew up a New York townhouse. The author of a new memoir is apologetic for her group's tactics, but not her politics.
  • Pete Maravich was one of the most famous college basketball players of all time. Sure, Julius Erving, Walt Frazier and Rick Barry were of the same era. But nobody dazzled like Pistol Pete. A new book examines his life.
  • Author Ben Thompson's new book collects the stories of characters whom you do not want to mess with. It pulls from both history and legend, telling stories from Jesus and Genghis Khan to Captain Kirk and Chuck Norris.
  • Alt.Latino hosts Felix Contreras and Jasmine Garsd join Weekend Edition Saturday's Scott Simon to discuss modern interpretations of traditional Latin holiday music.
  • In one of his final performances, Armstrong used "Hello Dolly" to convey the joy of being alive.
  • The French drummer, who provided the driving beats on Peter Gabriel's 1986 hit album So, is a sideman to the stars — and a composer in his own right.
  • On her first studio album, Ripely Pine, singer-songwriter Aly Spaltro transforms a batch of solo recordings into full-band arrangements that explore the juxtaposition between lyrical content and musical tone.
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