Isabella Gomez Sarmiento
Isabella Gomez Sarmiento is a production assistant with Weekend Edition.
She was a 2019 Kroc Fellow. During her fellowship, she reported for Goats and Soda, the National Desk and Weekend Edition. She also wrote for NPR Music and contributed to the Alt.Latino podcast.
Gomez Sarmiento joined NPR after graduating from Georgia State University with a B.A. in journalism, where her studies focused on the intersections of media and gender. Throughout her time at school, she wrote for outlets including Teen Vogue, CNN, Remezcla, She Shreds Magazine and more.
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Since last November, 12 lawsuits have been filed against Sean ‘Diddy’ Combs for sexual and physical assault. Here's who is officially involved in the allegations. -
Tito Jackson, a founding member of legendary pop group The Jackson 5, has died. He was 70 years old.
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Beyoncé became the first Black female artist to top the Billboard Hot Country Songs chart. But she was notably absent from this year’s Country Music Association Awards nominations.
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The United Kingdom’s competition watchdog is investigating whether Ticketmaster treated customers unfairly when selling tickets to the upcoming Oasis reunion tour.
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Social clubs used to help newcomers adapt to life in America. Many have disappeared over the years. But in New York City, Latinos are keeping that tradition going. -
As protests in Venezuela continue following the presidential election, pop star Danny Ocean reflects on how his new EP, "Venequia," is playing a role in the country's political climate.
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Edna O’Brien, one of Ireland’s most celebrated authors, has died at 93. Critics have praised her novels for honest portrayals of women’s passions.
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The award for lifetime artistic achievements will also recognize jazz trumpeter, pianist and composer Arturo Sandoval. The Apollo Theater will receive a special Honors as "an iconic American institution." -
The 1996 film neo-noir thriller "Bound" pushed boundaries in its portrayals of sex and gender on screen. It was re-issued as part of the Criterion Collection this past week.
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A museum showcasing replicas of Banksy's work recently opened in New York City. But like its Paris sister location, the new exhibition lacks any approval or authorization from the artist, who has explicitly denounced any commercial use of his art-- and therefore raises a number of questions about who owns street art and who gets to profit from it.
