Community Calendar

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

The Northampton Scrabble Club prides itself on being a welcoming group where the priority is on FUN, not strict competition. Come in at any point in the evening and we'll get you in a game! Some players stay for one game, others for multiple games. We have a wide variety of skill levels represented, so come join the fun!

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

The award winning and highly acclaimed band Le Vent du Nord are a leading force in Québec’s exciting and progressive Francophone folk movement. The group’s vast repertoire draws from both traditional sources and original compositions, while their highly rhythmic and soulful music, rooted in the Celtic diaspora, is enhanced with a broad range of global influences.

The band exhibits great finesse and flexibility, appearing regularly on Canadian, American, French, and UK television and radio, and participating in a wide variety of special musical projects. They’ve collaborated and performed with a diverse range of artists including: Harry Manx, Väsen, Dervish, The Chieftains, Breton musical pioneer Yann-Fañch Kemener, Québecois roots legend and master storyteller Michel Faubert, the Scottish folk band Breabach (a Bombyx favorite), singer Julie Fowlis, and the trans-Mediterranean ensemble Constantinople.

Not content with standard approaches to tradition, Le Vent du Nord has also created a symphonic concert that, according to Voir Montreal, “puts all traditional folk naysayers to shame.”

On stage these friends create intense, joyful and dynamic live performances that expand the bounds of tradition in striking global directions. This is the modern sound of tradition, a music of the here and now.

The 4th Witch is a fantastic new tale, inspired by elements of Shakespeare’s Macbeth, in which a girl escapes war and seeks protection from three witches. They agree to take her on as an apprentice with only one condition: she must never use her powers for revenge. Consumed by grief and rage, the girl comes to realize that it was Macbeth who killed her parents. Now she must choose between reconciliation or vengeance.

Told through inventive practical effects executed in plain sight, the troupe brilliantly employs shadow puppetry, live music and actors in silhouette, to create an entire new world in The 4th Witch. Manual Cinema has built a devoted fanbase in Boston over the course of their thrilling past productions at ArtsEmerson including Ada/Ava and Frankenstein. Do not miss their triumphant return this fall!

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.

The 4th Witch is a fantastic new tale, inspired by elements of Shakespeare’s Macbeth, in which a girl escapes war and seeks protection from three witches. They agree to take her on as an apprentice with only one condition: she must never use her powers for revenge. Consumed by grief and rage, the girl comes to realize that it was Macbeth who killed her parents. Now she must choose between reconciliation or vengeance.

Told through inventive practical effects executed in plain sight, the troupe brilliantly employs shadow puppetry, live music and actors in silhouette, to create an entire new world in The 4th Witch. Manual Cinema has built a devoted fanbase in Boston over the course of their thrilling past productions at ArtsEmerson including Ada/Ava and Frankenstein. Do not miss their triumphant return this fall!

The Norman Rockwell Museum is honored to present a rare series of early twentieth century lighting advertisements by Norman Rockwell and fellow Golden Age illustrators Maxfield Parrish, N.C. Wyeth, Dean Cornwell, Stanley Arthurs, Worth Brehm, and Charles Chambers created for Edison Mazda Lamps, a division of the General Electric Company. These luminous, richly painted works were widely circulated in published advertisements through the 1920s and are on loan to the Museum for the first time through the generosity of GE Aerospace.